It’s Grammy night
Tonight is the Grammy awards, the biggest night in music, and I'll be live-blogging as well as the occasional tweet. The awards begin to be given out in about 40 minutes for the non-televised categories. It all starts there. The ones I pick up on during that time I'll mention here before the actual awards start tonight.
Bringing the Grammys to you!
6:41 (ET): So far for Grammy night: at the pre-telecast, all of the other winners were announced except for the ten awards they'll be giving out on the live show. As I hoped (but didn't correctly predict), Tony Bennett and Amy Winehouse won Best Pop Duo/Group Performance for Body And Soul. Tony won Best Traditional Pop Album as well. Adele won Best Pop Vocal Album for 21 and Best Video for Rolling In The Deep. Kanye West won three in the Rap categories as did Skrillex in the Dance categories and for Best Remix. Foo Fighters won four awards. Each are up for more awards in the main categories.
6:44: These are the categories to air live tonight.
Album of the Year
Record of the Year
Song of the Year
Best New Artist
Best Rock Performance
Best Rap Performance
Best R&B Album
Best Pop Duo/Group Performance
Best Pop Solo Performance
Best Country Album
8:05: Bruce Springsteen brings the house down and the show has only just started!
8:06: Host LL Cool J opens the awards with a prayer to the passing of Whitney Houston. Whitney was a Grammy favourite so it seems suitable.
8:08: Adele has stolen Katy Perry's blonde hair, who herself seems to have gone faded blue...
8:14: Ok, people might not like Bruno Mars but he does put on an entertaining and lively performance.
8:18: I forgot Chris Brown was performing. I really hope it's not like his MTV Awards performance... I'm not here for #showoffs
8:22: The world needs more Bonnie Raitt.
8:24: Adele! I'm shocked! (Best Pop Performance for Someone Like You. Better have your running shoes on, Adele.)
8:35: Tony Bennett looks young for 85.
8:36: Kanye isn't there? How odd... no one to steal the show. Get it? heh....
8:50: While nothing spectacular for a Grammys televised show, I'd still love to go to a Foo Fighters concert. They're always dependable!
8:52: Grammy count so far. Foo Fighters - 4, Kanye West - 4, Adele - 3
9:02: While I think she's gotten much better since first emerging, I do sometimes wonder how Rihanna managed to get a recording contract in the first place. She doesn't have much stage presence and the backup dancers carried the We Found Love portion of her performance, Chris Martin carrying the second half of it but even I expect better from Coldplay. No more falsetto, please.
9:14: Five for the Foo Fighters so far! Adele who, perhaps?
9:19: Adam Levine sounded decent but the Foster the People guy doesn't look into it at all.
9:26: The Beach Boys were pleasant! They outdid their introducing bands.
9:34: Diana Krall is the foxiest woman in jazz. I love see her appear out of nowhere on these award shows.
9:38: If these were the MTV Awards, the camera would have panned to Rihanna every time Chris Brown made an appearance.
9:44: That might have been the best performance I've ever seen from Taylor Swift but I am highly disappointed she didn't do Safe And Sound with the Civil Wars. I'll stand by my opinion that she really needs new material and Safe And Sound is easily the best thing she's ever recorded so it should have been presented at the Grammys. Also love how she once again looked "surprised" by the applause after it was over. Oh Taylor!
9:51: Adele again. By the time the Album of the Year award comes up, Adele and Foo Fighters will be 5/5 and be competing for their 6th potential award of the night. Katy Perry is up next doing her brand new single Part Of Me.
9:57: I might get flack for this but I thought Katy's performance was spot on! Another big hit for her for sure.
10:11: Nice to see Adele and while she sounded a bit rough at the beginning, she DID just have vocal surgery. She seems much more lively and confident though I'd have preferred perhaps Set Fire To The Rain. All in all, an exceptional performance proving why she's the year's top artist in music. I don't think I've ever seen a situation where one singer seemed to have the support of an entire audience and industry. Adele can do anything!
10:21: This tribute to Glen Campbell seems odd to me unless he's receiving some special achievement award or something. Needless to say, I think The Band Perry are absolutely adorable and I do have a soft spot for Like A Rhinestone Cowboy so I won't say no to this performance. I would even venture the idea that it is among the best of the evening so far.
10:24: It seems Glen is receiving the Lifetime Achievement Award along with a few others. So now it makes much more sense. Carry on...!
10:33: I'm surprised they chose Carrie Underwood to perform with Tony Bennett considering the number of other great singers on Duets II that could have duetted with him. But I suppose with Carrie's recent connection as a Grammy winner for Best New Artist, which will be given out following this performance, it makes sense. But there's just something about Carrie that rubs me the wrong way... so now I'll move on.
11:35: I'm sad Nicki Minaj didn't win but Bon Iver did and seeing Kathleen Edwards on the screen multiple times was worth it!
10:40: About time someone mentioned Amy Winehouse! (and Steve Jobs)
10:45: I feel like Jennifer Hudson's voice is a bit too deep for this song but she's holding the song quite well. No Whitney but this is why everyone also loves J-Hud.
10:53: I can completely appreciate the DJ/producer of this electropop age but I really don't get what David Guetta's role is in a performance such as this. At least he looks like he's having fun. Meanwhile, Lil'Wayne has just appeared. I only just saw on Twitter that he was just arrested backstage. I guess that was found to be a false rumour. I'm now looking forward to what the Foo Fighters have to offer to this segment.
10:56: I can't help but find it curiously awesome how Dave Grohl continued to mention how the Foo Fighters' album was recorded the old fashioned way in his garage with real musicians and players but he can still perform with Deadmau5 at the Grammys.
11:03: About a half hour left and we still have Nicki Minaj unveiling a brand new song from her upcoming Roman Reloaded album, as well as Record of the Year and Album of the Year. I think they should just bring a throne to the stage and let Adele spend the rest of the show there.
11:10: I've got a feeling the new Nicki Minaj album won't be well received as the concept album it appears it's going to be, and this performance itself is questionable at bet but I can't help but think it's also awesome...in its own...odd...way! Not a traditional Grammy performance but Nicki's got my attention.
12:20: Album of the year - 21 by Adele! 6 for 6! New record for women at the Grammys, I do believe. Amy Winehouse and, I believe, Norah Jones previously won 5 in one night.
12:25: Correction: she ties Beyoncé, who won 6 a few years back.
12:31: Finished! On time! Could be a first but a good move for the awards to officially extend that extra half hour. In my predictions, I got eleven correct, two wrong. Not too bad.
12:35: This year's show was pretty entertaining overall. There were a lot of great performances.
Best performance: I might have to cop out and make it a tie between Bruno Mars, Adele, Jennifer Hudson, the Glen Campbell tribute and the Foo Fighters. They were all great in their own ways.
Worst performance: Easily Rihanna and Coldplay.
Tomorrow's most talked about performance: Nicki Minaj. Though everyone will be focusing on Adele's clean sweep.
Good night everyone! Thanks for stickin' around!
2011 American Music Awards: Liveblog
I've never liveblogged before. Unless you count my ongoing tweets on Twitter a few months back for the MTV Music Awards. I've seen liveblogging occurring on actual blog sites before and figured I've have a crack at it while a live event was going on. I'm choosing the American Music Awards.
The AMAs are less classy, more casual than the Grammys but perhaps more scripted than the MTV Music Awards. The awards themselves are fan-voted but somehow different than the People's Choice Awards. I don't think the AMAs have the level of respect that the Grammys have, nor the reputation that the MTV Music Awards have but they still have their share of pretty good performances. This year, Nicki Minaj, Katy Perry, Kelly Clarkson, Ludacris and a bunch of others are performing so it has potential to be entertaining.
So I'll be adding to this blog post over the course of the night once the awards start in less than an hour. Check back!
7:57 ET | Show is about to start. Taylor Swift totally looks like a cat lady since she does kind of look like a cat. She's not the best speaker... Alanis Morissette was by earlier in the pre-show for one of her first public appearances since she had a baby last year and she's recorded 31 songs which will be whittled down to an album out in the middle of next year. Very excited!
8:05 | First performance, David Guetta and Nicki Minaj doing Turn Me On. Very elaborate stage setup for this show opener. There's definitely too much backing track for Nicki's vocals. I feel like would have to be an in-person performance to be able to appreciate it. I wonder what would happen if Nicki sat down?
8:09 | It's so odd that Maroon 5 wouldn't be on anyone's mind right now if not for Moves Like Jagger. And they'll probably not get that level of popularity again.
8:16 | Taylor - stop pretending to be surprised... unless you're not pretending... :/
8:32 | Well, that Chris Brown performance was better than the MTV Music Awards. It does pick up but he didn't lose the lame visual effects which take the focus off of his dancing, which he does do well.
8:34 | Go Nicki! Beating out Kanye and Lil'Wayne is a big deal for her!
8:38 | It feels like it's been years since I've actually seen Kelly Clarkson doing a live performance. So far, so good. And good theme. This is an awesome version of the song too. Gives it its own touch rather than the CD version that sounds like the Bruno Mars rip-off.
8:40 | Mr. Know It All is the performance of the night so far. Kinda swing, kinda jazz. Everyone - take note!
8:50 | Great to see Ludacris! Even if he really sounds terrible... The group in the background do add a nice element to Tonight (I'm Lovin' You). Imagine if they were all singing the real words... *heh heh heh*
9:00 | I'm going to assume that wasn't a technical difficulty for J-Lo?
9:02 | Kind of random Pitbull appearance. I bet he had something better to do that he interrupted to come out and do those few lines.
9:04 | J-Lo really DOES look like Steven Tyler... wow....!
9:08 | Artist of the year: Adele, Lady GaGa, Lil'Wayne, Katy Perry or Taylor Swift?
9:13 | Wasn't it at the AMAs that Adam Lambert had that "controversial" performance?
9:17 | And that's probably why Maroon 5 won that award earlier. #OneRepublic
9:18 | That's the most emotion I've ever seen Taylor Swift show! Wow! Go Taylor! And Go Nicki!
9:22 | Maybe that's why Pitbull ran away. The awkwardness of having to sing with both J-Lo AND Marc Anthony in the same night.
9:32 | I don't know what cloud you've been smoking on Klum but this Katy Perry song isn't a #1 song (yet).
9:35 | Katy did a surprisingly good performance. Simple, kind of elegant, not quite Adele-status but still quite good!
9:40 | Looking forward to hearing how much Christina can scream her way through the one verse of Moves Like Jagger she was allowed.
9:49 | Welcome back, Alanis! So nice to see her....! Maybe she'll be back performing next year? Doubt it... but her new album will be out by then...!
9:53 | It's like I'm watching and listening to Growing Pains.
9:54 | I don't think Ellie liked Robin Thicke very much.... nor would I since he couldn't pronounce her name right.
10:01 | Finally. Moves Like Jagger. They've been pimping this one out all night. Even though LMFAO is closing the show, that's a hard sell.
10:04 | Christina didn't have enough time to scream up a storm. But she did kind of try. If not with her vocals, with that hair. Yowza!
10:20 | That was fun! I do like Modern Family!
10:21 | Good to see Bruno Mars win. I'm not a huge fan but I think he's perhaps the best male singer out right now. Though I'm surprised Justin Bieber didn't win considering this is fan-voted? Maybe his fans are too busy threatening that woman who accused him of fathering her baby?
10:30 | There's still a bunch of awards left to be given out and two performances. Will.i.am with Jennifer Lopez and LMFAO.
10:42 | Mick Jagger is TOTALLY going to be accused of lip syncing! Not since Ashlee Simpson have I seen anything that badly lipped!
10:49 | Artist of the year!
10:50 | Taylor Swift?! What the what?! Now she can act surprised because I certainly am. Not Adele? Or even GaGa? Or even record-breaker Katy Perry?! What the what?!
10:52 | It's so odd that LMFAO has been the anchor for the end of the show all evening. Who knew they'd ever be such a big deal? I remember them playing The Forum in Halifax twice last year. Can't deny their songs are catchy though....!!
10:59 | David Hasselhoff? How random is THAT?
11:01 | The end of the AMAs. Kelly Clarkson had the best performance but LMFAO are quite fun too! Not really any memorable moments. So there's my first liveblog. How did I do?
Musical Authenticity
If you were to ask me whether this year has been a good year in popular music so far, I'd give a pretty good "yes". But when I think a bit more about it, it occurs to me that most of the year has been dominated by last year's music. Katy Perry, Rihanna and Nicki Minaj all released their albums in 2010. Most of this year's releases were one-shot where they were a big deal for a relative short time and then quickly and quietly faded away: Jay-Z and Kanye West, Bad Meets Evil, Lupe Fiasco and the Decemberists to name a few. Or there were just under-performing titles like those by Britney Spears or Chris Brown. The most consistent name throughout all of this was Adele, hands-down the biggest hit in music this year.
Adele has been #1 on and off since the release of 21 back in February. Her single Rolling In The Deep is easily the biggest hit of the year and now Someone Like You is moving in. But Adele sounds unlike anything in mainstream music today. Following a few years of ongoing upbeat, electro-inspired pop and dance music, she sticks out like a sore thumb.
Why hasn't Adele followed the ranks of the Decemberists, Amos Lee and Jill Scott by having just one week where their albums were #1 and then quietly retreat for the next one-week-wonder? No doubt, having such strong word-of-mouth helped cling to such a position but also perhaps the drought in musical climate right now. I saw a list of what the song of the summer could be considered as that consisted of Give Me Everything by Pitbull, I Wanna Go by Britney Spears, Last Friday Night by Katy Perry, Party Rock Anthem by LMFAO among numerous others and none of them really stick out as being that definitive summertime smash that have existed in past years. I'm thinking of songs like California Gurls, I Gotta Feeling, Umbrella, Promiscuous, Yeah, Crazy In Love. In fact, I feel like despite its wintertime release date, Rolling In The Deep could be the hit of the summer by default because there hasn't really been any other memorable music.
Adele is considered a breath of fresh air in music by many people. I've read so much praise for her on blogs, music boards, responses, etc, yet it seems that the same people that praise her are the same people that are critical of most other pop singers. Beyoncé is cashing in on her pregnancy to sell albums. They criticize Lady GaGa for being unoriginal. She's doing real music without any gimmicks. Yet, while Lady GaGa was being compared to Madonna earlier this year, Adele was being compared to Amy Winehouse. A comparison that has been there since her first album three years ago when she debuted alongside singers like Duffy, Gabriella Cilmi and Estelle. All of which are British soul singers inspired by the blue-eyed-soul sound of the 60s and 70s. One situation is described as being "inspired by" while the other is "ripping off".
So, like Lady GaGa's 80s pop and rock-inspired sound on her new album, Adele goes back a few more decades to incorporate that sound on her albums. She's hardly doing anything new or original as far as her songs go. Lyrically, they're not overly impressive and with each song being about heartbreak or ending relationships, there's little variation in a theme that has been recurring in music since the beginning. She simply appears to be more genuine because of her image. I think Christina Aguilera, Beyoncé or Lady GaGa could have done the same too had they chosen to at the beginning of their careers. They chose to incorporate other styles and means into their performances and have different public images. Beyoncé is known for dancing in her performances and videos. Lady GaGa incorporates fashion and other visuals into hers. Adele focuses on solely one area, her voice.
Of course, there's something special about singer/songwriters that can get a message across better than other types of performers can. And there's something about certain genres of music and certain types of performers and artists that are said to make "real" music. But that begs the question that I've asked for years, what is "fake" music? Manufactured music? Sure, it may lack the true inspiration and genuine emotion that one demands from music and art but music is music. It's whether you have the ability to see from another perspective and then it's just a matter of what purpose it serves. Music made with computers and machinery is still music. As is music made by people hired to write hit songs for the purposes of making money and running a business. I definitely think that a song made with the help of computers, synthesizers and Pro-Tools can be just as emotive as a song with a bare piano or guitar. It all comes down to the people making the song and the true purpose of its creation.
Adele has a sense of authenticity to her because of the presentation of her songs and the idea that they are autobiographical. But with each original song on 21 (not counting her cover of The Cure's Lovesong, of course), there is a co-writing partner. The songwriting collaborators on each track each have a long list of songs they've co-written in recent years for some of the biggest pop acts today. Rolling In The Deep, He Won't Go and I'll Be Waiting were co-written with Paul Epsworth who had co-writing credits on songs by Florence + The Machine and Kate Nash, among others, along with a lot of production credits. Ryan Tedder of OneRepublic co-wrote Turning Tables and Rumour Has It. His other co-writing credits include both Halo by Beyoncé and Already Gone by Kelly Clarkson, Bleeding Love by Leona Lewis and a slew of other pop songs. Dan Wilson of the 90s band Semisonic cowrote Someone Like You, Don't You Remember and One And Only. Recent credits include songs with Keith Urban, Nicole Atkins, Weezer and a lot of the Dixie Chicks' last album including Not Ready To Make Nice. Fraser T. Smith, Eg White and Greg Wells contributed to 21 as well as hits by Taio Cruz, Pink, Mika, and on and on. The point is, they were hired to work with Adele when coming up with her album. Hired songwriting partners are about as "real" as most pop singers get. Therefore, in the end, it really is all in how someone is presented and what Adele has going for her is that her image is unlike anyone else's right now. It's been five years since Amy Winehouse dominated and at least half that since Duffy, Estelle and Adele herself first emerged. The only one still considered current and relevant is Adele so there's no one else like her that she has to compete with. That and she's also still experiencing that point in her career where she's still "new". The novelty factor. But that will wear off sooner than later and there's only so much ground she can cover until she's treading in the same waters as Lady GaGa as far as being over-exposed and over-rated and is accused of using some sort of a "shtick", albeit a very different one than people accuse GaGa of using. It's the natural progression that all singers follow and must try to escape from before they get stuck.
I certainly don't think Adele is in any way "fake". I do think she's the real deal but I'm also of the understanding that being the real deal in today's pop music landscape isn't as honest or rare as some people like to make it out to be. I'm fine with people seemingly calling out a singer if they feel there's a lack of genuine authenticity or there's some sort of a gimmick behind it all. It's fair to question the intentions of the team behind the singer as it's easy to cover up things you don't want to get out that could compromise the reputation of an image you've tried hard to create. But let's get real here. It pretty much applies to all of the above.
This is the remix
Katy Perry just earned her 5th #1 single from her Teenage Dream album, tying a record set by Michael Jackson in the late 80s as the album with the most #1 Hot 100 singles for Bad. And she did this with the help of a few remixes. One was released as the main version for E.T. while the other was released for Last Friday Night as that song hovered at #2, essentially released to give it that extra push to #1. A cheap move? Perhaps. Should it be disqualified? Maybe not...
Remixes have been around in music for decades offering up alternate studio versions of songs from the perspective of different producers and mixers. Often commonly associated with dance music but not limited to just that, a remix is essentially what its name says. A re-mix. A producer will take the recorded portions of a song and mix them how he or she thinks will make it sound the best. Often times, it can be something subtle, increase the vocal track, increase guitars and drums while decreasing horns and strings or change the effects on the recording. Sometimes, it's slightly more obvious. Add in a more distinct beat, add an vocal track, replace the drum tracks with another recorded drum.
A remix isn't a mere radio edit, which is when a recorded song is shortened for length for radio/video play or has portions taken out for various reasons such as for censorship. A remix also isn't a cover. A cover is when someone else is performing or recording a song previously recorded by someone else. And a mashup is when someone takes a bunch of songs and intertwines them into one such as the fun DJ Earworm mixes.
Remixes serve many purposes and have done so through time. In the early 80s, remixes began to arise in clubs when songs would be re-released with "extended mixes", which would lengthen the songs to allow DJs to place them amongst other dance songs by laying one on top of the other. This typically meant having a lengthy instrumental section at the beginning and end to give the DJs some room to work with. Since then, dance remixes often contain large portions of which have no vocals and can range from four to over ten minutes in length. By the mid-90s, a large number of pop songs had remixed versions of them. CDs known as maxi-singles would contain three or more dance remixes by different DJs and producers.
Many of Madonna's singles from the 80s onwards would have dance remixes suited for the clubs. Sometimes a slower song would be sped up and have heavy beats added to it to give it a shot at club airplay. Even country songs began to have dance remixes released for them. Essentially, dance remixes tended to stay exclusive to the clubs and didn't really help with the overall success of the song.
Remixes also include redone versions of songs for the purposes of a radio release. These typically weren't dance remixes but just updated versions of songs that, for one reason or another, didn't suit the current radio climate when it came time for these songs to be released. I remember by the mid-90s and into the 2000s, it was increasingly common to have a song that was played on the radio sound different when I bought the CD and heard it on that. Usually it was with minor hits by artists like Natalie Merchant, Natalie Imbruglia, Vanessa Carlton and Michelle Branch. Perhaps these songs were remixed because the original album versions sounded pretty plain in comparison to the major hits they were suddenly faced with having to match the success of. But sometimes, a remix could make or break a song.
One of the biggest hits of the 90s was with a remix. Missing by Everything But The Girl. And of course, a majority of Jewel's singles were remixed for radio. You Were Meant For Me, Foolish Games, Jupiter, Break Me and This Way. It was also common for songs to get remixes for different formats simultaneously in order to achieve a crossover hit. And pretty much every country crossover hit of the last 15 years was due to a pop remix. Amazed by Lonestar, most Shania Twain and Faith Hill hits and many Taylor Swift ones as well. Even songs that were originally dance recordings were remixed in reverse. Given downtempo basic versions. Covers of Heaven by DJ Sammy and Listen To Your Heart by D.H.T, plus some Cascada songs were given what became known as Candlelight Remixes. Remixes can help break an artist or song out of one genre and into another.
Most recently, remixes have been released to include guests, typically rappers, that didn't appear on the original versions of the songs. It's not exactly a new thing. In the mid-90s, Janet Jackson had MC Lyte rap on a remix of You Want This, though Sinead O'Connor had her as early as 1988. Five years ago, a remix of Buttons by the Pussycat Dolls brought in Snoop Dogg and Nelly Furtado invited Missy Elliott in for a remix of Do It. Ten years ago, Ricky Martin reached out to Christina Aguilera for a remix of Nobody Wants To Be Lonely. By that time, he was on a downward spiral and she was the hottest new pop star. It became a hit.
In this age of digital downloads and albums having a longer shelf life than they used to, it's become more important to think of ways to ensure a song becomes a hit. Record labels have made a habit (and a bad one, in my opinion) of re-releasing albums long after their original release to contain a few new tracks and remixes. If they don't do that, they still may release a remix of a new single and use that as the main version they choose to promote, such as with E.T. by Katy Perry, with featured guest Kanye West. The difference is basically a few lines from Kanye. Otherwise, the music is mostly the same and Katy had to do nothing at all. What they get is a new version that nobody has but will buy, whether they already have the CD or not. And when it hits #1 (and it did!), it will still count as a song released from the album despite not being the version on the album.
That's no big deal. It's also nothing new. Jewel had three Top 10 hits from her first album by 1997 and only one of them actually came from it. Two were remixed. Two of Jennifer Lopez' #1s from her 'J-Lo' album were remixes as well, neither of which were even the same song. They were simply given the same title with "Remix" in it. After that, Billboard were forced to create a rule stating remixes had to actually be the same song to be counted.
This year, a new trend has started where a song is high on the charts a new remix is unleashed. Not for the purpose of getting radio play, or to even promote at all. It's released as a secondary version with a high-profile featured artist to sell at digital stores and put the numbers higher. Twice, it resulted in the songs reaching #1. Rihanna's remix of S&M featuring Britney Spears and Katy Perry's Last Friday Night remix with Missy Elliott. These remixes tend to be poorly put together and contain a re-recorded verse by the featured guest. In Britney's case for S&M, she sounded like she had a cold while Ke$ha and Nicki Minaj on the remix for Britney's own Till The World Ends didn't sound much better.
Are these legitimate? Personally, I've always enjoyed hearing remixes of songs. Not really the hard and heavy dance remixes but alternate pop or rock versions of songs. They typically do give new life to an already familiar and potentially played-out song. But something as blatantly cheap as the new tactics of labels trying to get #1 kind of leaves a sour taste in my mouth though I still like hearing what they can come up with. I expect there to be a new rule in the future that somehow combats this but I think my opinion is, as long as the interest is there for people to want to buy the new versions, it's legitimate. It's cheap but it works. As long as there are added footnotes stating that #1 was attained with the help of a remix, either from the beginning or halfway through.
This is the remix and keep 'em coming!
Katy Perry Pop
If music were an edible entity , a Katy Perry concert would be like the day after Halloween. So incredibly sweet and full of sugary goodness. And you don't realize it until you've experienced it firsthand just how good it is.
When thinking about good music in any sense of the term, Katy Perry is likely never going to be the first thing that pops to mind. Yet, she's one of the biggest pop singers in the world right now. She's on the verge of tying a record held only by Michael Jackson, if and when her single Last Friday Night (T.G.I.F.) hits #1 on the Hot 100, by having her album Teenage Dream becoming only the second album in history to have five #1 hits following MJ's Bad.
Depending on your perspective, Katy could be one of the best things in current music or one of the worst. On one hand, the role she plays in the production of her songs, her music videos and her stage show is likely to be fairly limited. Despite having co-writing credit on most of her album's tracks, they lyrically offer very little value of productivity. So as a music purist, she's likely your worst nightmare. Essentially just the person leading a brand with so much behind the scenes and strings pulled by producers, writers and promoters. However, as the face of one of the biggest music campaigns in recent history, Katy and her team are doing an incredible job. Looking beyond the hit singles, the videos, and the success achieved since early last summer, the actual audio/visual components are pretty awesome.
The songs themselves are all insanely catchy. When California Gurls came out last year, I personally decided that it deserved a place in history as one of the best summer songs of all time. Taking a Beach Boys-sounding guitar riff, a catchy basic backbeat, a Snoop Dogg appearance, and a theme surrounding California all combined to create summer in song form. Firework rode the wave of self-praise songs with an accompanying video that I personally thought was a shallow grab at heartstrings but clearly it worked. It's the album's fifth single that seems to defy conventional pop music promotional standards. Last Friday Night is the
big winner when it comes to her videos. Cameos by everyone from Hanson to Kenny G. to cast members of Glee. Without the familiar faces, the video would have likely gotten much less attention but the genius behind that idea is helping to give Katy one of the biggest fifth-singles ever. The online campaign involving Facebook and Twitter surrounding Katy's alter-persona Kathy Beth Terry regarding anything Friday-related is astounding when considering the song has technically been available for about a year.
Last Friday Night is a track on her Teenage Dream record and is the fifth single from it. Each of the previous four hit #1. California Gurls, Teenage Dream, Firework and E.T. Typically, by the time the fifth single is released from an album that's been out for a year, the label is about ready to wrap things up and the artist is about ready to start focus on the next project or take a break, so they typically don't perform as well. At this point in time, Last Friday Night is undergoing an ongoing campaign stemming from the video that projects the song to be #1 in a few weeks. One of the campaigns they had was for attendees of any of her recent tour dates to tweet a photo with the tag #fridaynightin(cityname), in which the photo would appear on the screen when Katy did the song in her show. Of course, such attention would result in those tag lines trending which brings further attention to the single and Katy herself.
How can Camp Katy defy the norm? Her album thus far has yet to reach 1.5 million copies sold in the US. (For comparison purposes, it is on par with Rihanna's Loud, Nicki Minaj's Pink Friday and Born This Way by Lady GaGa, all of which came out after her and haven't had the same string of hits) Her five singles, however, have sold a combined total of approximately 18 million digital sales. With album sales so low, a song like Last Friday Night or anything from the record can still be marketed as new since casual fans will buy a single but not an album will hear the song as something "new". And with the promo it is receiving, it can only do well.
In addition to the creative promotion surrounding Katy, her image is where everything is centred on. And it all started with California Gurls. The video helped give Katy that certain image that works as the mainstay of her entire tour. A sweet, girly, sexy but clean image. During her concert, there are references to sex and drugs but they are as subtle as Alice in Wonderland. Only as innocent as the spectator. During Peacock, Katy motions with her microphone in an expected motion while in between songs, she eats a "special cupcake" and suddenly feels weird.
In the show, Katy lives in a colourless world where she works for a butcher cutting meat. She dreams of a candy world in which she is trying to find her cat Kitty Purry while she runs into obstacles and tricks before finding her cat and the love of her life, the Baker's Boy, before waking up in her bedroom again. The stage is set with candy canes, lollipops, bubbles and cotton candy scent throughout the arena with an array of guests including a friend named Slot (a slot machine), sneaky mimes who give her the cupcake, peacocks, gingerbread men and her cat Kitty Purry.
While the set is pretty elaborate with its presentation and over-the-top cheesiness, it's the deviation from it that warrants praise. Katy duplicates her performance from this year's Grammy Awards for Not Like The Movies on the swing while hovering over the area in a giant cloud during Thinking Of You. She also incorporates a karaoke portion into the set that she calls Katy's Karaoke where she sings parts of other songs like Rihanna's Only Girl (In The World), Jay-Z's Big Pimpin', Willow's Whip My Hair and of course, Friday by pal Rebecca Black.
In addition to those departures from the story, I was surprised with the amount of interaction she had with the audience despite having such a scripted show. She invited audience members on stage (for a price in the case of one shirtless guy), threw chocolate coins out and at the end, sprayed the entire front section with foam. I was also surprised with her vocals. Katy is known to not have great live vocals however I will admit to being impressed by her overall performance.
It's interesting that Katy Perry is as big as she is despite her obvious limitations. She doesn't display much dancing ability, leaving that to her group of backup dancers, nor does she provide much musicianship, other than to play Thinking Of You solo on acoustic guitar. Her real life personality and presentation has hit a few snags over the last year but her stage persona has covered up any bad press she may have gotten. I think this is a case where it is actually the package of the songs themselves and the awesome promo that is giving her the upper hand. For the time being, they're awesome. Not likely to last a lengthy period of time, of course, but living in the present, I can say now that I've been won over.
I think what I continue to learn after this performance is that you get out of whatever music that you look for. Katy Perry is pure fun, not to be taken seriously in any way, shape or form. And I don't think there's any trickery involved when it comes to whose responsible. No one has made any elaborate claims that she's a strong vocalist, an awesome writer, or anything that puts her ahead of the game in any one area. But it's the whole package that does put her ahead because of how catchy it is, how well it's promoted, and how universal the melodies are. Will they be remembered in ten years from now? Likely not. But there'll always be candy and there'll always be pop music. It'll always evolve and Katy is helping to raise the bar in hopes that the next era of pop is even more awesome.
Click here for the set list and more photos
Here's a video I took of Katy doing Friday and Whip My Hair.
Things to come
July will be a busy month for me. Lots of fun things happening so even if the weather sucks, it won't be all bad!
July 1-3: Montreal. Adam and I are going to spend the weekend there. While there we'll be seeing Katy Perry and Robyn.
July 7: or the 12th. I need to double check bit Big Brother 13! The only reality show I've ever watched and liked and every year it's fun! It's double the fun when it becomes a social event at least once a week.
July 15: Harry Potter. The final movie! We got our tickets today! I'm super psyched!
July 22: Serena Ryder concert again, this time back at the casino.
July 30: U2 and Arcade Fire in Moncton. I'm excited to see the giant claw too!
Third week of July: Halifax Pride. I'll need to check out their list of events but the usual ones I attend I will again. The Dykes vs. Divas ballgame, Parade and the Saturday night out. It's the one time of year when a bunch of my friends are guaranteed to be around and hanging out.
Throughout July: I'll be moving. A little bit north or where I am now to a nice apartment in the Hydrostone. It's well lit so I'm excited to have plants that can survive. I'll be sure to upload pictures.
Bonjour
And the next plan of action in my travels is Montreal. This one is just for a weekend in July. Adam and I will be flying up on Friday and coming back Sunday. We'll be there for Canada Day and while there will be seeing Katy Perry and Robyn in concert.
Montreal is one of the cities in Canada that I've wanted to go to. I've always been cut between there and Toronto as cities that I'd live in but imagined Toronto as a more suitable place to live while Montreal would be a travel destination. Of course, having never been I can't say that for sure so I'll know when I come back if I like it more than Toronto. Either way, I miss big city environment.































